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Classical concerts featuring
Olga Peretyatko

Overview

Quick overview of musician Olga Peretyatko by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
7

ProgramFrequently performs

Giuseppe Verdi
Works by
Giuseppe Verdi
4
Wolfgang Amadeus Mozart
Works by
Wolfgang Amadeus Mozart
3

MusiciansFrequently collaborate with

choir
Chor der Hamburgischen Staatsoper
7
Musician
Marie Maidowski
7
orchestra
Philharmonisches Staatsorchester Hamburg
7
Musician
Aaron Godfrey-Mayes
4
Musician
Christian Günther
4

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Upcoming Concerts

Concerts featuring Olga Peretyatko in season 2024/25 or later

March 27, 2025
Artistic depiction of the event

Il trovatore

Thu, Mar 27, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
April 1, 2025
Artistic depiction of the event

Il trovatore

Tue, Apr 1, 2025, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
April 5, 2025
Artistic depiction of the event

Il trovatore

Sat, Apr 5, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
April 9, 2025
Artistic depiction of the event

Il trovatore

Wed, Apr 9, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Paolo Arrivabeni (Musical Director), Christian Günther (Chorleitung), George Petean (Luna), Marco Berti (Manrico), Olga Peretyatko (Leonora), Kristina Stanek (Azucena), Hubert Kowalczyk (Ferrando), Marie Maidowski (Inez), Aaron Godfrey-Mayes (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Info & Ticket (www.staatsorchester-hamburg.de)
June 27, 2025
Artistic depiction of the event

Le Nozze di Figaro

Fri, Jun 27, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Nicholas Carter (Musical Director), Kartal Karagedik (Il Conte d'Almaviva), Olga Peretyatko (La Contessa d'Almaviva), Katharina Konradi (Susanna), Chao Deng (Figaro), Julia Lezhneva (Cherubino), Claire Gascoin (Marcellina), Peter Galliard (Don Basilio), Jürgen Sacher (Don Curzio), Tigran Martirossian (Don Bartolo), Keith Klein (Antonio), Marie Maidowski (Barbarina), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
During times of historical upheaval, the victors are filled with euphoric jubilation while fear spreads on the side of the losers. When cheerfulness grips the figures in Mozart’s piece, it is the swan song, full of schadenfreude, of dying structures, ancient privileges and traditional manners – including those between man and woman. Mozart (and Beaumarchais) hold the balance on the threshold between eras – as artists en route to self-marketing, as portraitists of their times, by precisely rendering a society whose balance is shifting, making Almaviva a ridiculous figure. His class is losing political power, and he compensates for this loss by becoming a slave to his sexual desire. The wind is blowing from the past, giving wing to Walter Benjamin’s angel of history. It is a storm for the winners, and for the losers a mere melancholy breeze. The angel sees nothing but ruins. Director: Stefan Herheim Set Designer: Christof Hetzer Costume Designer: Gesine Völlm Lighting Designer: Phoenix (Andreas Hofer) Video: fettFilm Dramaturgy: Alexander Meier-Dörzenbach Premiere: 15.11.2015
Info & Ticket (www.staatsorchester-hamburg.de)
June 29, 2025
Artistic depiction of the event

Le Nozze di Figaro

Sun, Jun 29, 2025, 18:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Nicholas Carter (Musical Director), Kartal Karagedik (Il Conte d'Almaviva), Olga Peretyatko (La Contessa d'Almaviva), Katharina Konradi (Susanna), Chao Deng (Figaro), Julia Lezhneva (Cherubino), Claire Gascoin (Marcellina), Peter Galliard (Don Basilio), Jürgen Sacher (Don Curzio), Tigran Martirossian (Don Bartolo), Keith Klein (Antonio), Marie Maidowski (Barbarina), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
During times of historical upheaval, the victors are filled with euphoric jubilation while fear spreads on the side of the losers. When cheerfulness grips the figures in Mozart’s piece, it is the swan song, full of schadenfreude, of dying structures, ancient privileges and traditional manners – including those between man and woman. Mozart (and Beaumarchais) hold the balance on the threshold between eras – as artists en route to self-marketing, as portraitists of their times, by precisely rendering a society whose balance is shifting, making Almaviva a ridiculous figure. His class is losing political power, and he compensates for this loss by becoming a slave to his sexual desire. The wind is blowing from the past, giving wing to Walter Benjamin’s angel of history. It is a storm for the winners, and for the losers a mere melancholy breeze. The angel sees nothing but ruins. Director: Stefan Herheim Set Designer: Christof Hetzer Costume Designer: Gesine Völlm Lighting Designer: Phoenix (Andreas Hofer) Video: fettFilm Dramaturgy: Alexander Meier-Dörzenbach Premiere: 15.11.2015
Info & Ticket (www.staatsorchester-hamburg.de)
July 3, 2025
Artistic depiction of the event

Le Nozze di Figaro

Thu, Jul 3, 2025, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Nicholas Carter (Musical Director), Kartal Karagedik (Il Conte d'Almaviva), Olga Peretyatko (La Contessa d'Almaviva), Katharina Konradi (Susanna), Chao Deng (Figaro), Julia Lezhneva (Cherubino), Claire Gascoin (Marcellina), Peter Galliard (Don Basilio), Jürgen Sacher (Don Curzio), Tigran Martirossian (Don Bartolo), Keith Klein (Antonio), Marie Maidowski (Barbarina), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
During times of historical upheaval, the victors are filled with euphoric jubilation while fear spreads on the side of the losers. When cheerfulness grips the figures in Mozart’s piece, it is the swan song, full of schadenfreude, of dying structures, ancient privileges and traditional manners – including those between man and woman. Mozart (and Beaumarchais) hold the balance on the threshold between eras – as artists en route to self-marketing, as portraitists of their times, by precisely rendering a society whose balance is shifting, making Almaviva a ridiculous figure. His class is losing political power, and he compensates for this loss by becoming a slave to his sexual desire. The wind is blowing from the past, giving wing to Walter Benjamin’s angel of history. It is a storm for the winners, and for the losers a mere melancholy breeze. The angel sees nothing but ruins. Director: Stefan Herheim Set Designer: Christof Hetzer Costume Designer: Gesine Völlm Lighting Designer: Phoenix (Andreas Hofer) Video: fettFilm Dramaturgy: Alexander Meier-Dörzenbach Premiere: 15.11.2015
Info & Ticket (www.staatsorchester-hamburg.de)